3-Axis Gimbal Stabilizer for Smooth Handheld Video Filming
Walk, talk and film steady with one compact 3-axis gimbal. The head holds your camera level through every step, and the wireless mic kit keeps your voice clear from the same bag. Built for vloggers and creators who shoot outdoors, on the road and at a tabletop.
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Walk, talk and film steady with one compact 3-axis gimbal. The head holds your camera level through every step, and the wireless mic kit keeps your voice clear from the same bag. Built for vloggers and creators who shoot outdoors, on the road and at a tabletop.
Smooth, shake-free handheld video from a compact 3-axis gimbal, with a wireless mic kit for clear audio
- shaky handheld footage
- difficult balancing of camera on gimbal
- poor on-camera audio
- need for a stand during tabletop shoots
Shake-free walks, clear audio, one compact rig
Before: shaky clips and muffled voices you can't publish. After: a 3-axis gimbal and wireless mic kit that keep the footage steady and the sound clean on every walk, trip and tabletop shoot.
Steady motion, dialed in your way
Three axes that hold the frame
The 3-axis head counters tilt, pan and roll, so the camera keeps its angle while you walk. Curbs, uneven pavement and quick turns stop showing up as bounce in the frame, and you can watch the result on the camera's own preview.

Balance it once, shoot all day
The balance arm has scale markings, so you can set the camera's weight point and return to the same mark on the next shoot. The quick-release plate locks the camera on with a positive click and comes off just as fast when you pack up. The layout is shown here with a full-frame body and a large lens.
Sound that cuts through the wind
The wireless mic transmitters clip to your shirt and the receiver mounts on the camera, so your voice is recorded close to the source instead of through the camera mic. The charging case has fitted compartments that hold each transmitter, so the kit is ready between shoots.
From box to first take
- 1Mount the camera on the plate
Slide the quick-release plate into the silver clamp until it locks with a positive click. Fold out the tripod legs if you are shooting on a table.
- 2Balance it on the arm
Loosen the balance arm, slide the camera's weight point to the scale markings, and tighten the arm. The rig should hold level on its own when you let go.
- 3Clip the mic
Clip a transmitter to a fixed spot on your shirt, away from the collar and your hand. Check the level on a short test clip.
- 4Power on and pick a mode
Press the power button, then use the control dial and the LCD status screen to choose a follow mode. Start the take once the frame looks right.
Everything you need to start filming
- 3-axis gimbal stabilizer×1
Handheld head with control dial, LCD status screen, USB-C port and fold-out tripod legs
- Wireless microphone transmitters×2
Clip-on units that pair with the receiver mount on the camera
- Wireless mic charging case×1
Fitted compartments hold each transmitter while it charges
Footage you can actually use
The walk that never looks right
You hit record on a walk-and-talk and sit down to watch it back. Every step bounces, the horizon rolls, and the wind has eaten the best lines. The clip goes in the bin, and you start planning a reshoot you never had time for.

One rig, picture and sound
The gimbal takes the bounce out of your hands. Its 3-axis head counters tilt, pan and roll, and the quick-release plate means you are not wrestling a camera on and off every time you change angle. The wireless mic clips to your shirt and sends clean voice to the receiver on the camera, so the wind has far less to work with.
Ready when the shot is
Mount the camera, set the balance, power on and pick a mode on the LCD. Most of the first session goes into finding the weight point on your rig. After that, setup is a handful of quick steps you can run before the first step of the walk.
Simple care for daily shooting
- Wipe the clamp and plate
Keep the silver quick-release clamp free of grit so the camera seats flat every time.
- Clean the tripod grips
Brush sand and dust off the rubber grips before you fold the legs away.
- Charge the mic case
Top up the transmitters after each shoot so the kit is ready for the next one.
Picture and sound in one kit
| This kit | Gimbal plus separate mic | |
|---|---|---|
| 3-axis stabilization | ||
| Wireless mic kit included | — | |
| Charging case for mics | — | |
| Quick-release camera plate | Varies | |
| Built-in tripod legs | Varies | |
| One box to pack | — |
Characteristics
Reviews
Questions and answers
Mount the camera on the quick-release plate, then set the balance on the arm. The arm adjusts, so you can balance the rig for your own body and lens. The product photos show a full-frame camera with a large lens. Check your camera and lens weight before you buy, and balance with the lens you plan to shoot with.
The first balance takes the longest, usually a few tries while you find the weight point on the scale markings. After that you loosen the arm, slide to the same mark, tighten and shoot. You only adjust again when you change lenses or bodies.
The mic receiver mounts on the camera itself, so the audio travels with the picture. Clip the transmitters to your shirt, away from your collar and hand, and check the level on a short test clip before you walk.
Yes. Fold out the tripod legs, set the camera on the quick-release plate and lock the angle on the LCD. You get a stand-free setup for bench and desk clips, then take the same rig out for the walk.
The kit puts the gimbal, two wireless transmitters and the charging case in one box, so you skip a second set of chargers, cables and bags. If you already own a separate mic, you only pay for the gimbal. For a creator who shoots every week, one bag and one charging routine saves more time than sourcing the parts one by one.
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